Autograf: Suzy Kendall

Brev, dokument, handskrift.

Gott skick. Dedicerad autograf på svart-vitt foto, ca 20X25cm
A doe-eyed, honey-blond actress of extraordinary beauty, Suzy Kendall was one of the most popular British actresses of the 1960s. Yet, she never really sought the spotlight and accepted fame only reluctantly. Born as Freida Harrison, her goal was actually to be a clothing designer and, in fact, she majored in fabric and fashion design at Derby College. In pursuing her studies, she inevitably ran into fashion photographers and agents. With few exceptions, they were very taken by her looks and urged her to go into modeling. While not particularly interested in that line of work, she was flattered by the compliments and saw a chance to make some extra income. In addition, she saw it as a way to draw attention to her fashion ideas. So, she signed up with a recommended agency, who gave her the name Suzy Kendall. To her surprise, she immediately was in constant demand. This was at a time when there was increased crossover in the British entertainment industry, with singers appearing in motion pictures. Before long, she began to receive film offers and, while not trained as an actress, was persuaded by her agents to accept film and television roles. The first roles were minor in nature, but included a part in the spy caper Operation Likvidering (1965), which was a major success. She became internationally known with her prominent role in De upproriska (1967), a sort of British version of Vänd dem inte ryggen! (1955). That same year, she starred in the crime thriller Takvåningen (1967), playing a woman taken hostage by violent criminal predators. She disliked the film, but it was a major hit. It was around this time that she met the highly talented and famous but insecure Dudley Moore, with whom she co-starred in 30 Is a Dangerous Age, Cynthia (1968). They immediately hit it off and gradually became a couple, marrying in 1968. At Moore's urging, she accepted the title role in Fräulein Doktor (1969), in which she plays a World War I femme fatale, based on Mata Hari. In spite of some good reviews, it was not a success. However, her career was boosted again in Ljudet från kristallfågeln (1970), in which she plays the girlfriend of a murder suspect who becomes the target of the real killer. The film was an international success and made director Dario Argento a household name among horror fans.