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MAKING PHOTOGRAVURES with POLYMER PLATES – A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with water, and printed by hand with traditional intaglio processes
MAKING PHOTOGRAVURES with POLYMER PLATES – A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with water, and printed by hand with traditional intaglio processes MAKING PHOTOGRAVURES with POLYMER PLATES – A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with water, and printed by hand with traditional intaglio processes MAKING PHOTOGRAVURES with POLYMER PLATES – A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with water, and printed by hand with traditional intaglio processes MAKING PHOTOGRAVURES with POLYMER PLATES – A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with water, and printed by hand with traditional intaglio processes MAKING PHOTOGRAVURES with POLYMER PLATES – A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with water, and printed by hand with traditional intaglio processes MAKING PHOTOGRAVURES with POLYMER PLATES – A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with water, and printed by hand with traditional intaglio processes

MAKING PHOTOGRAVURES with POLYMER PLATES – A modern technique of historical photo-mechanical printing using steel-backed polymer plates, etched with water, and printed by hand with traditional intaglio processes

Häftad bok. ARTandWATER. 2013. 140 sidor.

Nyskick. –– FÖRLAGSNY! – Format, ca 21x28 cm. –– Se fler bilder! ––

Learn photogravure with this step-by-step instruction book.
• It has over 250 images and 140 pages of explanations that reveal what is needed to use steel reinforced, photo sensitive polymer, to create stunning intaglio plates.
• Applicable for experts and beginners alike, individuals with small home-made darkrooms or large universities, the methods shown will open the possibilities of intaglio image making without the need for acids, high v.o.c. solvents, fine rosin dust, or petrochemical asphaltum. The aquatint and image are made with film positives and UV light. The plates are etched with water. Both traditional oil based inks and modern "safe" etching inks can be used to make the final print.
• Photogravure is a photo-mechanical process in which etching ink is pushed into the recesses of a fine matrix ("aquatint") of a printing plate. Excess ink is wiped from the surface by hand. Damp cotton paper is run through an etching press with the inked plate, where it picks up the image. The resulting print is one of the most archivally stable ways of photographic reproduction known.
• Included inside the book is a unique method for visually creating adjusted digital transparencies. The technique can easily be adopted for the creation of digital negatives for any of the "alternative" photographic processes that are seeing a resurgence in recent years. Practitioners of polymer photogravure are not limited to just photographs. The same plates make beautiful etchings and reproductions of hand drawn images.
• Many artists use hybrid drawing and photographic methods to create intricate and beautiful work with the polymer plates. The author encourages feedback about the book, and wants you to share your experience with the process.
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"… Delar av tekniken påminner om analogt mörkrumsarbete, där utgångspunkten är en bild och ett original som skrivs ut som ett positiv på en ett genomskinligt plastmaterial och sedan används för att belysa en ljuskänslig plåt med UV-ljus som har ett fotopolymerisk ytskick.
Belysningarna görs i olika steg och anpassade tider eller ”enheter” för att få fram rätt kontraster och toner i den slutliga bilden som sedan ska tryckas.
Plåten framkallas sedan i vatten och behandling, torkas och härdas innan det är dags att färga in den. Slutligen är det dags att trycka plåten på det fuktade pappret och det är olidligt spännande att lyfta på pappret när det kommer ut mellan valsarna i tryckpressen. Det är många moment och steg som den här tekniken omfattar innan bilden till slut trycks fram och kan sättas upp på väggen för att torka. …"

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