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![Det stora filmkriget Joseph Goebbels' kamp mot Hollywood som inslag i nazismens raspolitik. Ak. avh. [Acta universitatis stockholmiensis. Stockholm Studies in History 58]](https://dez1v4fbcawql.cloudfront.net/product_thumb/1561919/11572515/62bd76c84eedb.jpg)
Det stora filmkriget Joseph Goebbels' kamp mo...
Häftad bok. Almqvist & Wiksell International. 1999. 190 sidor.
Gott skick. Författardedikation
Inrikes enhetsfrakt Sverige: 62 SEK
- ISBN
- 9789122018599
- Titel
- Det stora filmkriget Joseph Goebbels' kamp mot Hollywood som inslag i nazismens raspolitik
- Författare
- Pertti Ulander
- Förlag
- Acta Universitatis Stockholmiensis
- Utgivningsår
- 1999
- Omfång
- 190 sidor
- Bandtyp
- Häftad
- Vikt
- 406 g
- Språk
- Svenska
- Baksidestext
- The doctrinal difference between Nazism and Fascism in relation to anti-Semitism forms a theoretical basis for this thesis, in which a historical course of events is reconstructed in order to evaluate the influence of anti-Semitism on measures against Hollywood in the Third Reich. Since Hitler wanted to accomplish a spiritual revolution against "Jewish culture", one couid presume that the Nazis would have prohibited the exhibition of American films in Germany in 1933. This was not the cage, however, and out of consideration for the negative side effects on the German film economy Goebbels only gradually diminished the import of Hollywood productions.
Based on the available information, it can be stated that in their film relations with Poland, Hungary, Austria, Czechoslovakia, and France, the Nazis demanded that all Jewish moviemakers be excluded from films designed for export to Germany. At the same time, however, they also co-operated with "Jewish" film companies in Europe and the USA. In spite of a strong anti-Nazi mood among film employees, the Hollywood companies did not adopt any negative attitude towards Germany or any other foreign country, as the production of political films was considered to lead to certain economic failure. In the autumn of 1938, nevertheless, Warner Brothers took a sensational step by starting to make the film "Confessions of a Nazi Spy". Hitler himself indirectly referred to this motion picture in his speech to the German Parliament in January 1939 and threatened that if "Jewry would once more throw the World into war, it would lead to the annihilation of the Jewish face in Europe".
Almqvist & Wiksell International 9789122018599 -
Det stora filmkriget Joseph Goebbels' kamp mo...
Häftad bok. Acta Universitatis Stockholmiensis. 1999. 190 sidor.
Mycket gott skick.
Inrikes enhetsfrakt Sverige: 62 SEK
- ISBN
- 912201859x
- Titel
- Det stora filmkriget Joseph Goebbels' kamp mot Hollywood som inslag i nazismens raspolitik
- Författare
- Pertti Ulander
- Förlag
- Acta Universitatis Stockholmiensis
- Utgivningsår
- 1999
- Omfång
- 190 sidor
- Bandtyp
- Häftad
- Vikt
- 406 g
- Språk
- Svenska
- Baksidestext
- The doctrinal difference between Nazism and Fascism in relation to anti-Semitism forms a theoretical basis for this thesis, in which a historical course of events is reconstructed in order to evaluate the influence of anti-Semitism on measures against Hollywood in the Third Reich. Since Hitler wanted to accomplish a spiritual revolution against "Jewish culture", one couid presume that the Nazis would have prohibited the exhibition of American films in Germany in 1933. This was not the cage, however, and out of consideration for the negative side effects on the German film economy Goebbels only gradually diminished the import of Hollywood productions.
Based on the available information, it can be stated that in their film relations with Poland, Hungary, Austria, Czechoslovakia, and France, the Nazis demanded that all Jewish moviemakers be excluded from films designed for export to Germany. At the same time, however, they also co-operated with "Jewish" film companies in Europe and the USA. In spite of a strong anti-Nazi mood among film employees, the Hollywood companies did not adopt any negative attitude towards Germany or any other foreign country, as the production of political films was considered to lead to certain economic failure. In the autumn of 1938, nevertheless, Warner Brothers took a sensational step by starting to make the film "Confessions of a Nazi Spy". Hitler himself indirectly referred to this motion picture in his speech to the German Parliament in January 1939 and threatened that if "Jewry would once more throw the World into war, it would lead to the annihilation of the Jewish face in Europe".
Acta Universitatis Stockholmiensis 912201859x
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Det stora filmkriget Joseph Goebbels' kamp mot Hollywood som inslag i nazismens raspolitik Pertti Ulander Häftad. 1999. Acta Universitatis Stockholmiensis 2 ex från 80 SEK